Das Appartement | [55], Double Indemnity's first theatrical engagement was at the Keith's in Baltimore, on July 3, 1944. Neff tells him he is fleeing to Mexico, but he is too weak and collapses. Sein Partner Keyes zündet ihm eine Zigarette an. [45] Unconvinced, Paramount production head Buddy DeSylva was overheard to say "We hired Barbara Stanwyck, and here we get George Washington. Wilder, Paramount executive William Dozier and Sistrom decided to move forward anyway. Initially, Wilder and Chandler had intended to retain as much of Cain's original dialogue as possible. The film was adapted by director Billy Wilder and writer Raymond Chandler from the 1935 novella by James Double Indemnity began making the rounds in Hollywood shortly after it was published in Liberty magazine in 1936. Ebert praised director Wilder and cinematographer Seitz. [34] Removal of the scene, over Chandler's objection,[33] removed Production Code head Joseph Breen's single biggest remaining objection to the picture that regarded it as "unduly gruesome" and predicted that it never would be approved by local and regional censor boards. [8] Edward G. Robinson wollte zunächst seine Rolle als Keyes ablehnen, da er hier nur die drittgrößte Rolle spielen sollte und es als einen Schritt rückwärts sah, da er zuvor meist an erster Stelle im Vorspann stand. )[25] Given the nature of the role, Stanwyck was reluctant to take the part, fearing it would have an adverse effect on her career. That building still stands, but the Newman Drug Store originally on the ground floor is no longer there. Juli 1944 in Baltimore uraufgeführt. Das Privatleben des Sherlock Holmes | "[6], Cain was very pleased with the way his book turned out on the screen. [72] It was adapted to the October 15, 1948 broadcast of the Ford Theatre with Burt Lancaster and Joan Bennett[73] and the October 30, 1950 broadcast of Lux Radio Theater with MacMurray and Stanwyck.[74]. Frau ohne Gewissen war bei der Oscar-Verleihung im Jahr 1945 in sieben Kategorien nominiert: Bester Film, Beste Regie, Bestes adaptiertes Drehbuch, Beste Hauptdarstellerin (Barbara Stanwyck), Beste Filmmusik – Drama/Komödie, Beste Kamera/schwarz-weiß sowie Bester Ton. After the first weekend, Chandler presented 80 pages that Wilder characterized as "useless camera instruction";[15] Wilder quickly put it aside and informed Chandler that they would be working together, slowly and meticulously. Eine besondere Stellung besitzt diese Charakterprägung der Hauptfiguren darüber hinaus auch im Zusammenhang mit der Stilrichtung der Filmgeschichte, die später als Film noir bezeichnet worden ist, da die Protagonisten samt und sonders unmoralisch handeln, das Publikum aber trotzdem eine gewisse Sympathie für sie aufbringen kann. [12], „Psychologisches Kriminaldrama mit exakter Menschenzeichnung und intensiv gesteigerter Spannung. Neff gibt sich anschließend als Dietrichson aus, steigt in den Zug und begibt sich auf die hintere Plattform. Da bereits etliche Szenen gedreht waren, war es zu diesem Zeitpunkt jedoch bereits zu spät für eine Änderung der Haartracht. MacMurray for example was reluctant to play Neff … Buy Study Guide Double Indemnity Summary and Analysis of the Opening Sequence. She tries several more times, but the car won't start and the two look at each other in growing panic. "[47], Wilder managed to bring the whole production in under budget at $927,262 despite $370,000 in salaries for just four people ($100,000 each for MacMurray, Stanwyck, and Robinson, and $70,000 – $44,000 for writing and $26,000 for directing – for himself). By visiting various locations that figured into the film, he brought a sense of realism about Los Angeles that seeped into the script. The result was one of the more suspenseful scenes in the film, but was not in the original script. Dir: Billy Wilder. Neff fühlt sich sicher, bis Keyes auf einmal eine neue Vermutung hat: Mord. Frau ohne Gewissen ist ein US-amerikanischer Film-Noir unter Regie von Billy Wilder, der auch gemeinsam mit Raymond Chandler das Drehbuch verfasste. Der Major und das Mädchen | "[26] This wig has been cited by some as being the picture's biggest flaw, claiming that it looks too "fake". The house can still be seen today and is located at 6301 Quebec Drive[45] in the Beachwood Canyon neighborhood of Los Angeles. [65] After the ceremony while he and his wife Judith were waiting for his limousine to arrive, he yelled so loudly that everybody could hear him: "What the hell does the Academy Award mean, for God's sake? Später besucht sie ihn zu Hause und Neff erklärt sich bereit, ihr bei dem Mord zu helfen. Cain's agent sent copies of the novella to all the major studios and within days, MGM, Warner Bros., Paramount, 20th Century-Fox, and Columbia were competing to buy the rights for $25,000. [77], So many imitations flooded the market, that James M. Cain believed he deserved credit and remuneration. Both Postman and Double Indemnity were remade: Double Indemnity as a television movie in 1973 starring Richard Crenna (who also starred in Body Heat), Lee J. Cobb, and Samantha Eggar;[75] and is included on a bonus disc in the American DVD release of the original film. Double Indemnity, directed by Billy Wilder, is a towering GIANT in the genre of film noir flicks and for good reason. Neff, der sein Schicksal nicht wahrhaben will, versucht die Flucht zu ergreifen, schafft es mit seiner Schussverletzung jedoch nur bis zur Tür und bricht zusammen. In der Episode mit dem Titel Double Indemnity, die am 16. Shopping. And Mr. Wilder – and rightly so – looked at me and he said "Well, are you a mouse or an actress?" Auch für Barbara Stanwyck war es ein ungewöhnlicher Gedanke, eine Mörderin zu spielen, obwohl sie bereits zuvor einige Kriminelle gespielt hatte. He complained that the two lead characters "lack the attractiveness to render their fate of emotional consequence", but also felt the movie possessed a "realism reminiscent of the bite of past French films". Phyllis drives her husband to the train station for a trip to attend a college reunion. Wilder made the film, in part, "to explain Chandler to himself. But as Wilder got into his own car to leave, it wouldn't start. As the would-be lovers plot the unsuspecting husband's murder, they are pursued by a suspicious claims manager (Edward G. Robinson). This is significant because, other than a snippet from a home movie, there is no other footage of Chandler known anywhere. Double Indemnity often tops the list when it comes to the best noir cinema ever made. Despite the noir genre not matching at first with the director of great comedies Billy Wilder (Some Like It Hot, Avanti! And I said "Well, I hope I'm an actress." Wilder, in fact, believed that discord, a tug-of-war, was a vital ingredient, necessary for a fruitful collaboration: "If two people think alike," he once said, "it's like two men pulling at one end of a rope. Wilder said: "He was in Alcoholics Anonymous, and I think he had a tough time with me – I drove him back into drinking. The victim's daughter, Lola, tells Neff she is convinced that her stepmother Phyllis is behind her father's death. He dares her to shoot again. "[30] But Wilder pestered him about it every single day – at home, in the studio commissary, in his dressing room, on the sidewalk – until he simply wore the actor down. "[40] They contrasted the bright sunny Southern California exteriors, shot on location, with dark, gloomy, rotten interiors shot on sound stages to give the audience a sense of what lurks just beneath the facade – and just who is capable of murder. Oktober 1973 im US-Fernsehen gezeigt wurde, konnte jedoch nicht an den großen Erfolg von Billy Wilders Original anknüpfen. "Fred MacMurray Is Dead at 83; Versatile Film and Television Star. pp. Buddy Buddy. Brackett spun the breakup in a decidedly different light, saying "Billy got so despondent at being without me that we did The Lost Weekend, a depressing film about a writer who has trouble writing. [31] His trust, however, was misplaced: His contract was up for renewal at the time, and because his friend and co-star Carole Lombard had shrewdly and successfully taught him how to play hardball with the studio bosses, he was not the pliable pushover of old. Das verflixte 7. Der Versicherungsvertreter Walter Neff schleppt sich in sein Büro, um dort ein Geständnis mit einem Diktierphonographen aufzuzeichnen. Das verlorene Wochenende | "[20] By the time the picture was released, Chandler was disillusioned with the writers' lot in Hollywood; he published an angry piece titled "Writers in Hollywood" for The Atlantic Monthly in November 1945 in which he complained: "The first picture I worked on was nominated for an Academy Award (if that means anything), but I was not even invited to the press review held right in the studio." [46] MacMurray was surprised when he first saw it onscreen: "When I  ... turned the key I remember I was doing it fast and Billy kept saying 'Make it longer, make it longer,' and finally I yelled 'For Chrissake Billy, it's not going to hold that long,' and he said 'Make it longer,' and he was right. Wilder had praised that work and promised to use Rózsa on his next film. By this time, Lipstone had an arm around DeSylva, asking unctuously "I always find you the right guy for the job, Buddy, don't I? Frau ohne Gewissen ist ein US-amerikanischer Film-Noir unter Regie von Billy Wilder, der auch gemeinsam mit Raymond Chandler das Drehbuch verfasste. Eine auswärtige Affäre | Er hat die Idee, einen Zugunfall zu inszenieren, da die Versicherung in einem solchen Fall die doppelte Summe, nämlich 100.000 Dollar, zahlen würde. [6] According to Wilder, this was exactly what he was going for when he chose the wig, wanting to project "the phoniness of the girl – Bad taste, phony wig", with cheap perfume to match. As the awards show wore on and Double Indemnity lost in category after category, it became evident that there would be a Going My Way sweep. What is the secret to its brilliance? Um die weitere Planung des Mordes geheim zu halten, treffen Neff und Phyllis sich ausschließlich im Lebensmittelladen und telefonieren nur über Telefonzellen. "[63], At the 17th Academy Awards on March 15, 1945, Double Indemnity was nominated for seven Oscars, but did not win any. a bewildered Wilder replied. The Glendale station remains, however, and can now be seen as part of the Glendale Transportation Center and was added to the National Register of Historic Places on May 2, 1997. Der Erfolg von Frau ohne Gewissen sollte ihm einen weiteren Karriereschub bringen. 'Double Indemnity' is a dramatic thriller made in 1944, directed by Billy Wilder and starring Fred MacMurray and Barbara Stanwyck. Die vorliegende Arbeit zum Seminar „Schlüsselfilm 1945-1960“ beschäftigt sich mit der Stilrichtung Film noir und dabei insbesondere mit dem Film Double Indemnity (Billy Wilder 1944). Double Indemnity is a 1944 American psychological thriller film noir directed by Billy Wilder, co-written by Wilder and Raymond Chandler, and produced by Buddy DeSylva and Joseph Sistrom. Lola's mother also died under suspicious circumstances when Phyllis was her nurse. [26], The original ending to the Cain novella called for the characters to commit double suicide. An insurance representative lets himself be talked by a seductive housewife into a murder/insurance fraud scheme that arouses the suspicion of an insurance investigator. Everything about this film is a sizzling masterpiece of tension, suspense, and seduction as Neff finds himself falling for all of Dietrichson’s charm and evil. A calculating wife encourages her wealthy husband to sign a double indemnity policy proposed by smitten insurance agent Walter Neff. [6] (Her eventual co-star MacMurray matched Stanwyck's prominence at the pay window: in 1943, he was the highest-paid actor in Hollywood, and the fourth highest-paid American. Okay?" Fedora | James M. Cain based his novella on a 1927 murder perpetrated by a married Queens, New York, woman and her lover whose trial he attended while working as a journalist in New York. Neff then boards the train posing as Mr. Dietrichson and makes his way to the back of the train, stepping onto the platform outside to smoke a cigarette. It is consistently praised as a triumph of the art of filmmaking, and with good reason. The front page photo of Snyder's execution in the electric chair at Sing Sing, captured by reporter Tom Howard using a hidden camera attached to his right ankle, has been called the most famous newsphoto of the 1920s.[8]. Mr. Norton, the company's chief, believes the death was suicide, but Keyes scoffs at the idea. Aus Keyes wurde "Kirst", Nino Zachetti wurde in "Tino Zachett" umbenannt. [14] Wilder, however, stuck it out, admiring Chandler's gift with words and knowing that his dialogue would translate very well to the screen.[6]. Robinson later admitted "At my age, it was time to begin thinking of character roles, to slide into middle and old age with the same grace as that marvelous actor Lewis Stone". Double Indemnity is a 1944 American psychological thriller film noir directed by Billy Wilder, co-written by Wilder and Raymond Chandler, and produced by Buddy DeSylva and Joseph Sistrom. Buy Study Guide. The screenplay was based on James M. Cain's 1943 novella of the same name, which originally appeared as an eight-part serial in Liberty magazine, beginning in February 1936. [a] The murderers quickly were identified, arrested and convicted. In the opening scenes, as Walter Neff stumbles off the elevator on his way to his office to record his confession, the vast two-tiered office is empty and dark. According to Stanwyck: I said "I love the script and I love you, but I am a little afraid after all these years of playing heroines to go into an out-and-out killer." [9] Für Jean Heather als Lola und Byron Barr als Nino Zachetti bildete Frau ohne Gewissen das Filmdebüt; für Tom Powers als Mr. Dietrichson den ersten Film seit dem Jahre 1917. For one thing, the ending was overhauled. Wilder had the idea of using a restless string tremolo (as in the opening to Franz Schubert's Unfinished Symphony) to reflect the conspiratorial activities of Walter and Phyllis against her husband which Rózsa felt was a good one (and the symphony is actually used with a very melodramatic effect in the scene with Lola and Walter in the hill above Hollywood Bowl, 1:23–1:26). "What lapel bit?" She does not, and he takes the gun. Wilder disagreed and was annoyed that Chandler was not putting more of it into the script. Sklar explains, "[T]he unusual juxtaposition of temporalities gives the spectator a premonition of what will occur/has occurred in the flashback story. Double Indemnity; Billy Wilder; Witness for the Prosecution; sabrina; stalag 17; The Seven Year Itch; About The Author. Am Tag der Abreise verschafft Neff sich zunächst ein Alibi und versteckt sich dann im Auto von Phyllis. [43][b], Wilder also decked Stanwyck out in the blonde wig "to complement her anklet ... and to make her look as sleazy as possible. Wesentlich dazu beigetragen hat Barbara Stanwyck, deren Verkörperung einer mit krimineller Energie und beträchtlichen manipulativen Fähigkeiten ausgerüsteten Verführerin das Rollenschema der Femme fatale entscheidend geprägt hat. Extrablatt | They submitted a film treatment crafted by Wilder and his writing partner Charles Brackett,[11] and this time the Hays Office approved the project with only a few objections: the portrayal of the disposal of the body, a proposed gas-chamber execution scene, and the skimpiness of the towel worn by the female lead in her first scene. I just made pictures I would have liked to see. Keyes lights Neff's cigarette as they wait for the police and an ambulance. A crime story told in flashback, it tells a tale of insurance agent (Fred MacMurray cast wonderfullly against type, as he was in another Wilder classic, The Apartment) falling for a true femme fatale (Barbara Stanwyck at her innocently seductive best). With the camera following him, Neff lurches towards the balcony railing overlooking rows and rows of uniform corporate desks. "[5], Philip K. Scheur, the Los Angeles Times movie critic, ranked it with The Human Comedy, The Maltese Falcon, and Citizen Kane as Hollywood trailblazers, and Alfred Hitchcock wrote to Wilder saying that "Since Double Indemnity, the two most important words in motion pictures are 'Billy' and 'Wilder'". Double Indemnity (1/9) Movie CLIP - I Killed Him (1944) HD. Qualifizierte Bestellungen werden kostenlos geliefert. "[60] Wilder despised such tactics, so he placed an ad of his own: Double Indemnity, it claimed, were the two most important words uttered in motion picture history since Broken Blossoms. Er ist sich sicher, dass die Person im Zug jünger war als Mr. Dietrichson, aber er erkennt Neff nicht wieder. To settle it, Wilder hired a couple of contract players from the studio to read passages of Cain's original dialogue aloud. [34] He later recounted: "The story was between the two guys. Er erzählt die Geschichte eines Versicherungsbetrugs, in den er selbst als Mörder verwickelt ist: Eines Tages besucht Neff das Haus von Mr. Dietrichson, damit dieser eine Autoversicherungspolice verlängert. Mr. Dietrichson unterschreibt beide, ohne zu wissen, dass es sich bei der Kopie tatsächlich um seine Unfallversicherung handelt. They worked together through Sunset Boulevard in 1950, then split for good. [12], Cain forever maintained that Joseph Breen owed him $10,000 for vetoing the property back in 1935 when he would have received $25,000.[13]. About halfway through, Raft interrupted him with "Let's get to the lapel bit." Cast: Fred MacMurray, Barbara Stanwyck, Edward G. Robinson. Chandler was new to Hollywood, but saw it as a golden opportunity. Das Ehepaar Dietrichson steigt ein, und kurz vor dem Ziel gibt Phyllis ein Hupzeichen, woraufhin Neff ihrem Mann von hinten das Genick bricht. While some reviewers found the story implausible and disturbing, others praised it as an original thriller. Hellmuth Karasek berichtet in seiner Biografie Billy Wilder – eine Nahaufnahme, dass sich Wilder über den deutschen Titel lustig gemacht habe: „Frau ohne Gewissen? Envisioning a former private detective who had worked his own experiences into gritty prose, he instead met a man he later described as looking like an accountant. Lindbergh – Mein Flug über den Ozean | Die Zusammenarbeit zwischen Wilder und Chandler am Drehbuch war allerdings von Konflikten geprägt und Chandler drohte mehrmals, aus dem Projekt auszusteigen. Double Indemnity is one of the films parodied in the 1993 film Fatal Instinct; the hero's wife conspires to have him shot on a moving train and fall into a lake so that she can collect on his insurance, which has a "triple indemnity" rider. The way Billy staged it and John Seitz lit it, it was all one sensational mood. 38 on the American Film Institute's list of the 100 best American films of all time, and in 2007 it placed 29th on their 10th Anniversary list. Qualifizierte Bestellungen werden kostenlos geliefert. Well, the James M. Cain source novel is an American classic, and none other than the great Raymond Chandler was hired to help to give it a film treatment.