Neff begins seeing Lola to keep her from going to the police with her suspicions, and later through guilt to protect her from Phyllis. Raft was illiterate, so Wilder had to tell him the plot. After all – Luise Rainer won it two times. Neff, der sein Schicksal nicht wahrhaben will, versucht die Flucht zu ergreifen, schafft es mit seiner Schussverletzung jedoch nur bis zur Tür und bricht zusammen. Bei einem geheimen Treffen erklärt Neff Phyllis den Ernst der Lage, außerdem konfrontiert er sie mit den Anschuldigungen ihrer Stieftochter. David O. Selznick, no stranger to self-aggrandizement, frequently sought to put a high-culture gloss on his pictures with "trade-book" ads. In pain from a gunshot wound to his shoulder, Neff begins dictating a confession into a dictaphone for his friend and colleague, Barton Keyes, a claims adjuster. Buddy Buddy. Neff sees this as a way to get rid of Phyllis before she attempts to murder Lola. Double Indemnity, directed by Billy Wilder, is a towering GIANT in the genre of film noir flicks and for good reason. The Glendale station remains, however, and can now be seen as part of the Glendale Transportation Center and was added to the National Register of Historic Places on May 2, 1997. If there ever were a fitting cinematic companion piece to Poe's "The Tell-Tale Heart," Billy Wilder's "Double Indemnity" would make a worthy candidate. [26], The character of Walter Neff was not only a heel, he was a weak and malleable heel – many Hollywood actors including Alan Ladd, James Cagney, Spencer Tracy, Gregory Peck, and Fredric March passed on it. For another, the character of Barton Keyes was transformed from Walter Neff's fairly clueless co-worker into his mentor and eventual nemesis. Freiwillige Selbstkontrolle der Filmwirtschaft, "Double Indemnity" bei der Internet Movie Database, Billy Wilder on Barbara Stanwyck’s ‘Double Indemnity’ wig, her wonderful brain, casting Fred MacMurray, "Frau ohne Gewissen" bei der Deutschen Synchronkartei, https://de.wikipedia.org/w/index.php?title=Frau_ohne_Gewissen&oldid=207443562, „Creative Commons Attribution/Share Alike“. Der Major und das Mädchen | Wilder's and Brackett's estrangement during Double Indemnity was not a permanent one. An insurance representative lets himself be talked by a seductive housewife into a murder/insurance fraud scheme that arouses the suspicion of an insurance investigator. Der Film basiert auf dem Roman Doppelte Abfindung (Double Indemnity) von James M. Cain aus dem Jahre 1935. "[69] Critic and writer Wendy Lesser notes that the narrator of Sunset Boulevard is dead before he begins narrating, but in Double Indemnity, "the voice-over has a different meaning. Zuvor hatte er dies bereits mit seinem Romanerfolg The Big Sleep (als Tote schlafen fest im Jahr 1946 verfilmt) unter Beweis gestellt. Doch nur seine Frau Phyllis ist anwesend. Despite the noir genre not matching at first with the director of great comedies Billy Wilder (Some Like It Hot, Avanti! He neglected, however, to mention that the studio had kept him on salary during the eight-week shooting schedule and that no changes to the script were allowed without his approval – a very rare accommodation for screenwriters, particularly newcomers, in those days. Double Indemnity often tops the list when it comes to the best noir cinema ever made. [67], Double Indemnity is an important (and some say the first) example of a genre of films called film noir. by Michael Gonzalez The official dictionary definition of the term “double indemnity” is as follows: “A clause in a life-insurance or accident-insurance policy providing for payment of twice the face value of the policy in the event of accidental death.” That effectively sums up the concept behind Billy Wilder’s Double Indemnity, a superb film noir… [10] Im Verlauf der Dreharbeiten wurde Wilder mit der blonden Perücke aber zunehmend unzufrieden. Besides Double Indemnity and Detour, voice-over is a key aspect of Mildred Pierce, Gilda, The Lady from Shanghai, and Out of the Past  ... as well as many others. [10] Paramount resubmitted the script to the Hays Office, but the response was identical to the one eight years earlier. [61], Radio host and Hearst paper columnist Louella Parsons said "Double Indemnity is the finest picture of its kind ever made, and I make that flat statement without any fear of getting indigestion later from eating my words. They flirt, until Phyllis asks about taking out a policy on her husband's life without his knowledge. Keyes tells Neff his theory while Phyllis is hiding behind the door, concluding that Phyllis and an accomplice murdered Dietrichson for the insurance money, but he needs proof. Amazon.de - Kaufen Sie Double Indemnity günstig ein. Paramount executive Joseph Sistrom thought the material was perfect for Wilder, and the studio bought the rights for $15,000. Her advertisement probably put a million dollars on its gross. Double Indemnity. "[52], The score was nominated for an Academy Award, and the success brought Rózsa offers to do as many films as he had time for. She shoots him in the shoulder. It is not the voice of a dead man  ... it is  ... the voice of an already doomed man. "[30] But Wilder pestered him about it every single day – at home, in the studio commissary, in his dressing room, on the sidewalk – until he simply wore the actor down. [58] James M. Cain recalled "there was a little trouble caused by this fat girl, Kate Smith, who carried on a propaganda asking people to stay away from the picture. 'Double Indemnity' is a dramatic thriller made in 1944, directed by Billy Wilder and starring Fred MacMurray and Barbara Stanwyck. At the time, Seitz was the premiere director of photography on the Paramount lot; his work extended back to the silent era. "[60] Wilder despised such tactics, so he placed an ad of his own: Double Indemnity, it claimed, were the two most important words uttered in motion picture history since Broken Blossoms. It is generally classed as a 'film noir', and indeed many aspects of it belong to that school but it holds it own as a classic movie in its own right. Sklar explains, "[T]he unusual juxtaposition of temporalities gives the spectator a premonition of what will occur/has occurred in the flashback story. Bei einem letzten Besuch, den er Phyllis zu Hause abstattet, will er sie umbringen. And I did and I'm very grateful to him. [3] Der Buch- und Filmtitel Double Indemnity bezeichnet im englischsprachigen Raum die beim Unfalltod doppelt ausgezahlte Versicherungssumme. "Fred MacMurray Is Dead at 83; Versatile Film and Television Star. A lesson was indeed taught, but not the one Paramount had in mind. "[47], Wilder managed to bring the whole production in under budget at $927,262 despite $370,000 in salaries for just four people ($100,000 each for MacMurray, Stanwyck, and Robinson, and $70,000 – $44,000 for writing and $26,000 for directing – for himself). Opening credits roll over the silhouette of a hat-wearing man using crutches to hobble forward. The term "double indemnity" refers to a clause in certain life insurance policies that doubles the payout in rare cases when the death is accidental, such as falling off a train. Neff turns left, but the camera continues forward until it reaches the brink and stares down for an anxious moment into a colorless American business purgatory. Anchored in the film noirs aestheticism, its low-key lighting, oppressive music, sharp dialogues and breathtaking performances achieve to make this film an unavoidable classic. Luise Rainer!"[66]. Neff fears Phyllis will murder Lola over her suspicion in her parents' murders and because Dietrichson had changed his will in Lola's favour, leaving Phyllis with nothing. "Sometimes the rushes were so dark that you couldn't see anything. In der folgenden Zeit trifft sich Neff auch öfter mit Lola, dabei erzählt sie ihm, dass Nino sie mit Phyllis betrüge. [34] He later recounted: "The story was between the two guys. [61], Howard Barnes at the New York Herald Tribune was much more enthusiastic, calling Double Indemnity "one of the most vital and arresting films of the year", and praising Wilder's "magnificent direction and a whale of a script". Double Indemnity is one of the films parodied in the 1993 film Fatal Instinct; the hero's wife conspires to have him shot on a moving train and fall into a lake so that she can collect on his insurance, which has a "triple indemnity" rider. And Mr. Wilder – and rightly so – looked at me and he said "Well, are you a mouse or an actress?" Hellmuth Karasek berichtet in seiner Biografie Billy Wilder – eine Nahaufnahme, dass sich Wilder über den deutschen Titel lustig gemacht habe: „Frau ohne Gewissen? Starke inhaltliche Bezüge weist Lawrence Kasdans Thriller Heißblütig – Kaltblütig (1981) auf. 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