Fair Use and Copyright (“Work Made for Hire”). All submissions become the exclusive property of Film & History for the duration of the time they are under review (at least six months, but no more than one year). Who Is the Owner of the Copyright in a Work Made for Hire? But the re-published work may not, under any circumstances, be made available online. Before preparing submission, please ensure that you are aware of the following: If a submission is out of scope, does not meet academic standards or does not follow the Author Guidelines, the editors will reject it. Issues are published three times a year and each issue will feature 8 to 12 academic articles. The screening report is a feasibility assessment; it calculates both the degree of editing a manuscript would require and the value our readers would derive from the edited version. Users are allowed to read, download, copy, distribute, print, search, or link to the full texts of the articles, or use them for any other lawful purpose, without asking prior permission from the publisher or the author. New York World-Telegram and the Sun Newspaper Photograph Collection staff photographer © original copyright holders. We strongly encourage participants of the annual meeting of the WSFH to submit revised versions of their papers for publication in The Journal of the Western Society for French History. To guarantee long-term preservation, Research in Film and History deposits the articles in the open access repository for academic publications in the field of film and media studies media/rep/, in the archive of the State and University Library Bremen and the German National Library. We consider the investment we make in the authors accepted for publication to be the principal advertisement for our journal. The Journal does not accept unsolicited reviews. Film & History welcomes article-length manuscripts of 4,000-7,000 words on the following topics: The effect of historical events on films, genres, or cultural & aesthetic standards, The effect of films or film genres on historical or cultural events, The aesthetic or rhetorical construction of history itself, as rendered in film, Use of motion pictures, television, and related media in the classroom, The history, holdings, and current status of film and television archives, New or controversial ways of presenting history in film and television, Reviews of books and video/films and broadcasts addressing important themes or events. We welcome submissions on film, television, radio, sound, and digital media. As sole copyright owner of the material it publishes, Film & History does not grant electronic distribution rights outside the domain of its official electronic distributors. These changes will be submitted to authors for approval. After your article is accepted for publication, please also provide: For any audio and visual material used in your text, please download and fill this form. Submitting an article to multiple journals simultaneously leads editors (and peer reviewers) to commit scarce resources of time and energy to papers that may be withdrawn because of acceptance elsewhere. • Copyright and Licensing Policy We prefer to keep the process open to the best scholarship. There are two forms of rejection: publishable and not-publishable. The journal, as first owner of the copyright, retains exclusive rights to publication of the edited/published manuscript thereafter. Research in Film and History does not levy article processing charges (APCs) or any other author fees to submit or publish an article. 1 2020 How to Live Together with Her (2013): Posthuman Forms of Roland Barthes’ Idiorrhythmy Bright Lights began life as a nominally quarterly print publication in 1974, published and edited by Gary Morris. Article features include film and related media, problems of education in these fields, and the function of film and video in … No full-length articles or reviews (or significant portions thereof) may be reproduced in any digital or online format for either open-access or proprietary distribution to consumers. Each of these distributors will have its own policy, but, collectively, they constitute the sole legal means by which the journal may be distributed (apart from print subscriptions). Contributions come from all parts of the world. In an era when academic and popular conceptions of history are increasingly presentist in focus, a situation reflected in the preponderance of submissions to the AHR on the nineteenth and twentieth centuries, we especially seek manuscripts in ancient, medieval, and early modern history. If a contributor should choose to retract his or her name from a published article, the journal usually will honor that request, but the edited/published article remains the exclusive property of the journal and may, at the editor’s discretion, be retained online and in print and may be used in future publications by the journal. Film and book titles in your manuscript should be italicized rather than underlined. Twitter Many publishers prefer not to say that a manuscript is “publishable” if it has been rejected; they note its virtues but then emphasize its limitations, leaving an author to believe that the work had not reached a certain level of quality. Film & History, which is a non-profit, peer-reviewed journal affiliated with the American Historical Association and published continuously since 1971, is published twice each year, in the summer and the winter. All material to be considered for publication in History Workshop Journal should be submitted in electronic form via the journal’s new online submission system. Your submission should preferably be emailed to us as a Microsoft Word document (with one pica indents, no space between paragraphs, and with top and bottom margins of 1” and left and right margins of 1.25”). Volume 44, No. Film-Philosophy is an international, open access and peer-reviewed academic journal dedicated to the engagement between film studies and philosophy.. Film-Philosophy considers articles on any subject relating to film and philosophy. Questions about submissions may be directed to the editor: Loren PQ Baybrook, Editor, Film & HistoryLawrence University, Memorial Hall B5711 E. Boldt WayAppleton, WI 54911USA. Under no circumstances, however, may an essay that has not been edited according to the recommendations of peer review be published in the journal, and under no circumstances may an author publish the edited version–which is the legal property of the journal–without consent from Film & History. Except where otherwise noted, all journal content is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. • APC-free Policy Film Quarterly > Film Quarterly , a journal devoted to the study of film, television, and visual media, publishes scholarly analyses of international and Hollywood cinema as well as independent film, including documentary and animation. The journal welcomes unsolicited, original submissions from academics around the world about science fiction in all media (literature, film, television, videogames, art, oral history, etc.). Manuscript submissions to the IAFOR Journal of Media, Communication & Film are now OPEN.. Reminders. A work may be indexed or deposited, but it may not be made available to the public except in printed form or through our online distributors. Submissions. Search in: This Journal Anywhere Advanced search Author Details: Do not list your name or institutional affiliation on the manuscript itself. Films which interpret history; 2. The Historical Journal of Film, Radio and Television explores the history of audio-visual mass media and considers its impact on political and cultural history. We welcome new submissions. This right extends to the compression and re-organization of the original argument and/or its examples. If a work is a work made for hire, the employer or other person for whom the work was prepared is the author and should be named as the author on the application for copyright registration…. Research in Film and History welcomes contributions written in English. Facebook Considered one of the top journals in media studies, our acceptance rate is about 15 percent. • Contact. After either the first or second stage of peer-reviewing, an author whose submission has been rejected may ask to receive the information–typically condensed and transferred to e-mail–from the reviewing report(s). Under the spell of a group of East Coast-based auteurists (mainly Howard Mandelbaum of New York, and Robert Smith and Jeffrey Wise of the University of Connecticut) and with the help of lithographer brother Michael and a job as a typesetter and film critic at the Clifton-Vine Reporter newspaper in Cincinnati, Gary Morris published the first issue of Bright Lights Film Journal in 1974. YouTube, Legacy Giving - Bequests and Gift Planning. Film-Philosophy is an international peer-reviewed academic journal dedicated to philosophically discussing film studies, aesthetics and world cinema. If the journal receives a request from an author of a Film & History article (or review) for print re-publication in a new work by that author (e.g., in a book-length compilation), we typically grant the request, although we ask that publisher representing the author contribute an institutional subscription ($90) as a courtesy. • Style Guide for Authors If deemed publishable for our journal, the manuscript is then forwarded to the second stage, a longer review, which measures the manuscript more deeply against current scholarship in the field. Articles submitted for the publication are checked with the PlagScan software. Research in Film and History is a fully peer-reviewed online journal with a non-commercial open access policy. For themed issues, please check back later for updates on open calls. Users are allowed to read, download, copy, distribute, print, search, or link to the full texts of the articles, or use them for any other lawful purpose, without asking prior permission from the publisher or the author. Film & History does not, therefore, accept submissions of articles that are under consideration by other journals. Home > The Journal of American History > Submissions . Every woman and girl’s story is important. Articles offered for publication should be sent as an email attachment to editor@filmandhistory.org and one hard copy mailed mailed to the editor: After the initial submission, all further correspondence and transmissions of manuscripts will take place electronically. Submissions for New Approaches section are accepted on an ongoing basis and will be published throughout the year. Journal of American Studies seeks to critique and interrogate the notion of "America", pursuing this through international perspectives on the history, literature, politics and culture of the United States. If an author has written a publishable article (notes toward revision notwithstanding), the editors at Film & History believe that he or she should know this distinction–as should, perhaps, the author’s department chair, college dean, or provost. The journal offers an international platform for cutting-edge debate, new approaches, and interdisciplinary perspectives on the intersection between the two disciplines film … The Historical Journal continues to publish papers on all aspects of British, European, and world history since the fifteenth century. Instagram We consider the investment we make in the authors accepted for publication to be the principal advertisement for our journal. If you have any questions about this, please contact Marybeth Hamilton, Administrative Editor, at historyworkshopjournal@gmail.com. Because of scheduling constraints, a contributor must reply to F&H within 10 business days after transmission of the edited manuscript; otherwise, it will progress, at the editor’s discretion, toward publication in its edited form. Research in Film and History is a fully peer-reviewed online journal with a non-commercial open access policy. The best contemporary scholarship is represented. After any requested corrections have been carried out, the article will be copyedited, paying attention to accuracy, formatting, and language consistency. As a result, however, some rejected manuscripts are never affirmed when they should have been. Please read the full text of the Creative Commons Licensing Statement here. A LITTLE HISTORY. FQ PRINT EDITION SUBMISSION GUIDELINES FQ welcomes both established scholars and fresh voices that bring new perspectives to bear on discourses of visual representation rooted in issues of diversity, race, lived experience, gender, sexuality, and transnationalism. Please feel free to contact us: film-history[AT]uni-bremen.de, • Open Access Policy List of issues Latest articles Partial Access; Volume 40 2020 Volume 39 2019 Volume 38 2018 Volume 37 2017 Volume 36 2016 Volume 35 2015 Volume 34 2014 Volume 33 2013 Volume 32 2012 Volume 31 2011 Copyright and publishing rights on articles is retained by the author(s). Film-Philosophy is interested in the ways in which films develop and contribute to philosophical discussion. New York World-Telegram and the Sun Newspaper Photograph Collection staff photographer © original copyright holders. Subscription to Film & History is not required as a condition of submission or of publication. We invite individuals from all ages, backgrounds, cultures, and socio-economic circumstances to be a part of living history by keeping a journal in 30, 60, 90, 120-day, or any longer OR shorter increments, and contributing their journalistic efforts to the National Women’s History Museum. Otherwise, upon receipt of a submission, Film & History retains the right of publication, by which any submitted manuscript, after acceptance and editing (see “Peer Reviewing and Replies to the Author”), may be printed in the journal (including its electronic format), at the discretion of the editor, to satisfy the publication needs for a scheduled topic or issue. (2) a work specially ordered or commissioned for use as a contribution to a collective work, as a part of a motion picture or other audiovisual work, as a translation, as a supplementary work, as a compilation, as an instructional text, as a test, as answer material for a test, or as an atlas, if the parties expressly agree in a written instrument signed by them that the work shall be considered a work made for hire. For the purpose of the foregoing sentence, a “supplementary work” is a work prepared for a publication as a secondary adjunct to a work by another author for the purpose of introducing, concluding, illustrating, explaining, revising, commenting upon, or assisting in the use of the other work, such as forewords, afterwords, pictorial illustrations, maps, charts, tables, editorial notes, musical arrangements, answer material for tests, bibliographies, appendixes, and indexes; and an “instructional text” is a literary, pictorial, or graphic work prepared for publication and intended to be used in systematic instructional activities. New York World-Telegram and the Sun Newspaper Photograph Collection staff photographer © original copyright holders. Description: The Journal of Film and Video, an internationally respected forum, focuses on scholarship in the fields of film and video production, history, theory, criticism, and aesthetics. All submitted articles should be original work and must not be under consideration by other publications. Research in Film and History reserves the right to reject an article at any stage of the editing process.Research in Film and History reserves the right not to publish an already revised article. This way from charges of arbitrariness Commons Licensing Statement here the process open to the possibility of duplicate publication which. To follow to submit your manuscript according to the IAFOR journal of Film studies / Revue canadienne cinématographiques! Our acceptance rate is about 15 percent: for articles that are under consideration by other.!, however, some rejected manuscripts are never affirmed when they should have been its mission to. Keep the process open to the IAFOR journal of Film studies, our rate. © original copyright holders no more than 20 words ( including sub-title ) just on quality should be rather... 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